|Image courtesy of the National Museum Soares dos Reis|
Sunday, 29 May 2016
Saturday, 7 May 2016
“So what?”. A frequent question/reaction concerning our field, whether verbally expressed or secretly thought. It’s a legitimate question and one we are rarely available to discuss.
|Rembrandt Harmenszoon van Rijn, "Retrato de Marten Soolmans" e "Retrato de Oopjen Coppit" (imagem retirada do jornal Telerama)|
When I had first read the news about the joint acquisition by the Louvre and Rijksmuseum of Rembrandt’s Portrait of Marten Soolmans and Portrait of Oopjen Coppit, for €160 million, I didn’t exactly think “So what?”, but rather “Why?”. Why these two paintings? Why all that money? Once I tried to understand a bit better the importance of the paintings (whatever importance that might be, within the context of art history or any other), I was most often confronted with the adjective “rare”. The portraits are “rare”, being exhibited in public was extremely “rare, etc. etc. This brought up even more questions: Rare how? Why should they be seen more often? Why did these two public museums make such a huge (financial and collaborative) effort to acquire them?